23,216 Royalty-Free Audio Tracks for "Works By Music Center Of The Islamic Republic Of Iran Broadcasting"

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

A la Nanita Nana, is an eighteenth-century Spanish Christmas carol here performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. It is done bilingually, first in Spanish, then in English. The English translation appears to have been done in house by the Army, as I can find no evidence of any other usage. CSM Debra L. McGarity Modifications Levels adjustment - a basic linear tweak, with the lower notes being slightly quieter and the higher notes slightly louder. Also removed a slight tapping noise in the beginning, before the singing starts.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Four ruffles and flourishes, played by the United States Army Band

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.

It Suits Me performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 4 from Blue Shadows (2010).

Peekaboo performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 5 from Blue Shadows (2010).

Aero Groove Evolution performed by the Rhythm in Blue Jazz Ensemble of the United States Air Force Heritage of America Band. Track 15 from 75 Years Of Inspiring Excellence 1941-2016 (2016).

The overture of the Creatures of Prometheus, op. 43

Like Seamus performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 3 from Blue Shadows (2010).

Product of Fear performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 10 from Blue Shadows (2010).

Wrong Advices performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 1 from Blue Shadows (2010).

Sansoen Sueapa (Tiger Corps Hymn) - Fine Art Department Orchestra ไทย: สรรเสริญเสือป่า (ทางบรรเลง) บรรเลงเพลงโดย วงดุริยางค์สากล สำนักการสังคีต กรมศิลปากร

Scarecrow performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 7 from Blue Shadows (2010).

Kuri performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 11 from Blue Shadows (2010).

Ave Pancakes performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 6 from Blue Shadows (2010).

Shrinking Violet performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 9 from Blue Shadows (2010).

A Bull of Heaven musical piece.

In the Walls of Eryx, H.P. Lovecraft and Kenneth Sterling "Prehistoric human invasions of Venus can be pretty well ruled out, so that one must turn to the idea of native construction. Did a forgotten race of highly evolved beings precede the man-lizards as masters of Venus?"

Household Gods, Aleister Crowley "ALICIA: Yes! in that shadow lurks a smile. See; from that jagged cloud Diana starts Like a deer from the brake; her silver splendour darts Through the crisp air to the grove upon the isle... Do you see her? Do you see her?"

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Tao Te Ching, Lao-tzu (S. Mitchell translation) Chapter 55 "He who is in harmony with the Tao is like a newborn child. Its bones are soft, its muscles are weak, but its grip is powerful."

To One In Paradise, Edgar Allen Poe "And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams-- In what ethereal dances, By what eternal streams!"

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

Under the Pyramids, H.P. Lovecraft "It occurred to me that judging from the elaborateness of this worship, the concealed deity must be one of considerable importance. Was it Osiris or Isis, Horus or Anubis, or some vast unknown God of the Dead still more central and supreme?"

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

The Shadow over Innsmouth, H. P. Lovecraft Part II "There was only one person in sight—an elderly man without what I had come to call the 'Innsmouth look'—and I decided not to ask him any of the questions which bothered me; remembering that odd things had been noticed in this hotel... One side of the cobblestoned open space was the straight line of the river; the other was a semicircle of slant-roofed brick buildings of about the 1800 period, from which several streets radiated away to the southeast, south, and southwest."

The Premature Burial, Edgar Allan Poe "In fact, I no longer dared trust myself out of the immediate presence of those who were aware of my proneness to catalepsy, lest, falling into one of my usual fits, I should be buried before my real condition could be ascertained. I entered into a series of elaborate precautions. Among other things, I had the family vault so remodelled as to admit of being readily opened from within."

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The title comes from a speech given by Prabhupada Bhaktivedanta, which is also the speech sampled in the piece.

A Bull of Heaven musical piece.

Laus Deo, Sydney Dobell "'He is not dead, but sleepeth,' said the Priest, and smooth'd his brow. 'Sleepeth?' said she, looking up, and the sun rose in her face! 'He must be better than I thought, for the sleep is very sound.'"

A Bull of Heaven musical piece.

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.

Henry V, William Shakespeare Act III, scene vi "HENRY: I tell thee, herald, I thought upon one pair of English legs Did march three Frenchmen."